Something in her manner prompted her companion, with a certain inconsequence, to speak again. "That was partly why I came back to you, you know—that there should be the less possibility of anything painful." "The strain of what?"!

"A great mistake! That's all right." He spoke—it wasn't clear to her why—as if this declaration were a great point gained. There had been in the first place the exquisite old house itself, early Jacobean, supreme in every part: it was a provocation, an inspiration, a matchless canvas for the picture. Then there had been her husband's sympathy and generosity, his knowledge and love, their perfect accord and beautiful life together, twenty-six years of planning and seeking, a long, sunny harvest of taste and curiosity. Lastly, she never denied, there had been her personal gift, the genius, the passion, the patience of the collector—a patience, an almost infernal cunning, that had enabled her to do it all with a limited command of money. There wouldn't have been money enough for any one else, she said with pride, but there had been money enough for her. They had saved on lots of things in life, and there were lots of things they hadn't had, but they had had in every corner of Europe their swing among the Jews. It was fascinating to poor Fleda, who hadn't a penny in the world nor anything nice at home, and whose only treasure was her subtle mind, to hear this genuine English lady, fresh and fair, young in the fifties, declare with gayety and conviction that she was herself the greatest Jew who had ever tracked a victim. Fleda, with her mother dead, hadn't so much even as a home, and her nearest chance of one was that there was some appearance her sister would become engaged to a curate whose eldest brother was supposed to have property and would perhaps allow him something. Her father paid some of her bills, but he didn't like her to live with him; and she had lately, in Paris, with several hundred other young women, spent a year in a studio, arming herself for the battle of life by a course with an impressionist painter. She was determined to work, but her impressions, or somebody's else, were as yet her only material. Mrs. Gereth had told her she liked her because she had an extraordinary flair; but under the circumstances a flair was a questionable boon: in the dry places in which she had mainly moved she could have borne a chronic catarrh. She was constantly summoned to Cadogan Place, and before the month was out was kept to stay, to pay a visit of which the end, it was agreed, should have nothing to do with the beginning. She had a sense, partly exultant and partly alarmed, of having quickly become necessary to her imperious friend, who indeed gave a reason quite sufficient for it in telling her there was nobody else who understood. From Mrs. Gereth there was in these days an immense deal to understand, though it might be freely summed up in the circumstance that she was wretched. She told Fleda that she couldn't completely know why till she should have seen the things at Poynton. Fleda could perfectly grasp this connection, which was exactly one of the matters that, in their inner mystery, were a blank to everybody else.

"No, it hadn't arrived. I came up for the night—I've several matters to attend to." Then looking with an intention of fixedness from one of her companions to the other, "I'm afraid I've interrupted your conversation," Mrs. Brigstock said. She spoke without effectual point, had the air of merely announcing the fact. Fleda had not yet been confronted with the question of the sort of person Mrs. Brigstock was; she had only been confronted with the question of the sort of person Mrs. Gereth scorned her for being. She was really, somehow, no sort of person at all, and it came home to Fleda that if Mrs. Gereth could see her at this moment she would scorn her more than ever. She had a face of which it was impossible to say anything but that it was pink, and a mind that it would be possible to describe only if one had been able to mark it in a similar fashion. As nature had made this organ neither green nor blue nor yellow, there was nothing to know it by: it strayed and bleated like an unbranded sheep. Fleda felt for it at this moment much of the kindness of compassion, since Mrs. Brigstock had brought it with her to do something for her that she regarded as delicate. Fleda was quite prepared to help it to perform, if she should be able to gather what it wanted to do. What she gathered, however, more and more, was that it wanted to do something different from what it had wanted to do in leaving Waterbath. There was still nothing to enlighten her more specifically in the way her visitor continued: "You must be very much taken up. I believe you quite espouse his dreadful quarrel." "Your issue?" Fleda murmured. "I see," said Owen, looking at his gloves. "I can give her a day or two, you know. Of course I didn't come down to sleep," he went on. "The inn seems a horrid hole. I know all about the trains—having no idea you were here." Almost as soon as his interlocutress he was struck with the absence of the visible, in this, as between effect and cause. "I mean because in that case I should have felt I could stop over. I should have felt I could talk with you a blessed sight longer than with Mummy."